A Recommendation for Writers: The WriteHive Mentorship Program

If you’re a writer with a manuscript you’re trying to whip into shape for querying or self-publishing, this free program is for you! I was a mentee back in the 2023 with the wonderful E.J. Dawson as my mentor, and the help really transformed my manuscript. (And since then, I’ve gotten an agent and that manuscript is now on sub! 🎉)

Basically, you submit your query, manuscript, & synopsis, and if you get picked up by a mentor, you’re essentially getting a free critique/edit of your manuscript from someone who’s been in the publishing world for some time.

And the big news is, I’ll be joining the WriteHive team as one of the mentors this year! 🎉 I really love this program and I’m so excited to pay forward all I gained from it to a new mentee. I’ve included my bio, expectations, and MSWL wishlist below, but you can find the info on all the mentors here.

The big dates to remember are:
Nov 11-18: Mentor AMA
Nov 21-24: Mentee Submission Window
Jan 1, 2025: Mentorship pairings announced

So, be sure to check this one out, add it to your calendar, and if you have any questions, please feel free to ask!

Should I write a stand-alone book or a series? Pros and Cons.

Okay, obviously this is a very personal decision, but this is a question I’ve wrestled with several times since I started publishing in 2020, and my opinion has changed over the years! So I figured I would write what I wished I had known when I started putting books out into the world.

So you’ve written a book! Congrats! Now how do you decide if you should write a sequel or leave it as a stand-alone? When I wrote my first book, Odriel’s Heirs, I had the series more or less planned out in my mind. I remember telling my husband if even *one stranger* liked it, I would write the sequel. This… is a low bar. But at the time, as a brand-new self-published author, I had exactly zero confidence anyone would read it.

Fast-forward to when I wrote Idriel’s Children, my second novel, and I thought I had made a mistake. While I had been at peace with publishing Odriel’s Heirs after attempting to query the book, it felt like a let-down to not be able to query agents with it.

Adding to that, I quickly realized that the audience for a *true* sequel (dependent on the events of book one) is extremely small, because you’re essentially only marketing it to the readers that enjoyed the first book. Therefore, if you look up nearly any series on Amazon, book 2 will have MUCH fewer reviews than book 1, and book 3 will have even less!

Now, luckily for me, each novel in the Odriel’s Heirs series has a different main character, takes place after a generation gap, and can stand alone, so I didn’t have to grapple with that particular problem. But just the very idea of it floored me.

Secondly, if the second book bombs, it would be very difficult to get readers to pick up book three. So there’s a lot of risk in writing all the books up front before you publish and see the reaction.

It was with all these thoughts swirling around my head that I decided that after I completed the Odriel’s Heirs series, I would never again self-publish a sequel.

It was that thinking that led me to leave The Gatekeeper of Pericael as a stand-alone and not pursue a sequel which would not have stood alone. (Along with the fact that I found a creepy MG fantasy incredibly difficult to market.)

Okay, well let’s fast-forward again to now when I’m marketing a completed YA Fantasy series (which feels incredibly satisfying, by the way.) And… I realize two things very quickly. Whereas previously I was thinking that I *can’t* market books #1.5, #2, #2.5, and #3… now I’m thinking I don’t have to. Because when I market book 1, there are many readers that will go ahead and pick up the whole series! Then, there are other readers, who will immediately buy the next book after finishing the previous one.

Which is to say, basically in marketing only book one, in reality, I’m marketing *5* books. This means, suddenly, my BookBub promos are actually turning a profit. And did I mention that people love series? The more time they spend in a world, the more invested they become in it, and the more likely they are to shout it out the rest of their reading friends. Plus, every time another book is released, it only reinvigorates interest and sales in book one, which of course means, more readers! Also, there’s a whole other section of readers who won’t pick up a series until it’s officially complete, which opens up even more possibilities after all the books are released.

If a stand-alone is a *really good stand-alone* that just means you’re leaving people wanting more.

Which is all to say, I get the series train now. Disney, I understand.

That said, I still prefer for each entry to end on a satisfying note. (I’m anti-cliffhangers.) So that, in case it bombs, or due to marketing reasons, it doesn’t make sense to finish the series, the fans of the books aren’t left dangling and unfulfilled.

And despite my general lack of knowledge, I don’t regret how my publishing journey has progressed. I’m SO glad I completed the Odriel’s Heirs trilogy. From a marketing standpoint, it was the right thing to do, and I wanted to prove to myself I could to it.

However, it was also the right move not to pursue the Gatekeeper series. As a self-published author, I wasn’t able to reach an upper MG audience effectively through social media (my primary mode of marketing.) The book stands alone well, and it allowed me to focus my brand on Young Adult books.

Similarly, Into the Churn started out as a stand-alone, and when sales struggled at first, the publisher and I weren’t sure if we move forward with a series. However, the second book reinvigorated both interest and sales in a way that allowed us to greenlight the full trilogy! Now that I’ve seen the 5 for 1 BOGO (buy one get one free) marketing deal with my Odriel’s Heirs series, I’m excited to be able to market the completed Into the Churn series in a similar manner.

That said, that was a lot of stream-of-consciousness. So for those who just want the straight pros and cons, here’s the TL;DR version:

Pros of a Series
– In marketing one book, you’re actually marketing the entire series
– It gives the readers more time to get invested in the world and characters
– Each release reinvigorates sales of book one
– Some readers greatly prefer series and some readers only buy complete series
– Because you’re marketing the same series over the course of years, it’s more like to gain momentum and attention

Cons of a Series
– The sequels, themselves, won’t attract new readers, so the sequel will always have less reviews than book one
– If you self-published book one, you can’t query a sequel
– You cannot enter sequels into awards contests unless they can stand alone
– If book one is hard to sell or market for any reason, selling book two will only be harder
– It takes more time/investment to write a series

Anyways, that’s just my two cents from where I stand right now—a small press author on submission, always planning trilogies but making sure each book has a satisfying ending. I’m also going to throw in the reminder that if you *do* love a series, make sure you shout it out and recommend it to your friends, because series *do* get canceled or postponed in the middle sometimes due to lack of sales, reviews, or perceived interest. So if you love a book, be sure to support it with your ratings and reviews!

Thanks for reading, and if you have any questions, just let me know!

NYC Midnight Challenge – Clark Kent Wears Tights

Clark kent wears tights

June 2023 (Second Round)
Genre: Comedy
Action: Putting on eyeglasses
Word: Member
Time Constraint: 24 hours
Length: 100 words

If someone recognizes me, I’ll never survive seventh grade. I don the square black glasses and face mask, desperately channeling Clark Kent before peeking into the ballet studio at the line of pink-clad girls. Oh god, I can’t go in there. When I asked Mom for dance lessons, I wanted to try hip-hop, not social suicide.

I’m about to flee when Aphrodite herself glides toward me with a smile. “You’re the new boy?”

My heart bursts into butterfly confetti, and I suddenly remember why everyone loves Clark.

He’s totally uncool.

But he always gets the girl.

“Why, yes, I am.”


This one came in second in my group, getting me into the final round! The feedback is below!

WHAT THE JUDGES LIKED ABOUT YOUR STORY

{1943}  This story had a really fun premise. I loved the image of him going in disguise because it was a ballet class. I laughed at the description of Aprhodite herself “gliding” up to greet him. So cute! The image of his heart bursting “into butterfly confetti” was lovely – this story really made me smile. Thank you for sharing it with me.   

{2138}  I really enjoyed this light and humorous piece. There’s a sweet and youthful energy throughout, and a strong sense of character via the narration: I loved his internal thought processes which also help to vividly bring the scene to life. You’ve established a great sense of pace to the narrating character’s journey too, taking him from nervous and uncertain to a quiet increase in confidence. “My heart bursts into butterfly confetti” was particularly lovely!  

{1980}  The narration in this piece is highly engaging. The narrator boasts a distinct voice, helping to establish a vivid understanding of both the immediate conflict they face and the wider world they inhabit outside of the dance studio. 

WHAT THE JUDGES FEEL NEEDS WORK

{1943}  I wonder if you needed the opening sentence. For me, the story became really engaging at “I don the square black glasses and face mask…” I think we know that he was a middle school from the fact that he wanted to try hip-hop, he used phrases such as “social suicide”, and he disguised himself to enter the dance studio. Perhaps you could work on some more middle-school style language in the opening paragraph to make sure that your characterization is very clear.

{2138}  Not much to critique here! Perhaps the only tweak I’d suggest is the combining of Clark Kent with Aphrodite – it may be a little odd for the reader to be presented with Greek mythology and the DC universe in the same piece?

{1980}  One element that could be further developed is the narrator’s body language, specifically in the moment they nearly “flee” from the studio. By fleshing out this moment of tension with imagery –are they grabbing their things, or checking to see if anyone is looking, for example — this would therefore heighten the relief as “Aphrodite” glides towards them. Perhaps by paring down some of the opening narration, this would leave more room in the word count to explore this narrative shift.


You can find the rest of my NYC Midnight Challenge entries and feedback here.

How to Deal with Rejection – A Playlist

Let’s talk about navigating rejection and negative feedback for a second. Honestly, it was something I’d never really thought about before I wrote my first book (mostly because I didn’t actually think I’d ever publish it.)

Fast forward a minute to first readers, betas, critique partners, editors, queries, and then reviews. Whoa! Negative feedback non-figuratively everywhere!

So how do you keep writing with someone calling your book baby ugly from the second it’s born until quite possibly… forever?!? How do you keep submitting when you’re getting truckloads of rejections? Well, here are the tips I can offer:

Pre-Publishing Feedback

  • Put on the playlist. (see below)
  • Let the feedback sit and percolate. Trust me, it’ll sting less the second time, and you’ll be able to more objectively see the changes you do and don’t want to make.
    • After I got the development edit back on my first book, I had to let it sit for three months before I gathered the energy to re-attack. (The feedback was BRUTAL 😆)
  • Trim the feedback to actionable bullets in your own words. It’s less overwhelming than big blocks of text, and you can cross them off when you’re done.
  • If you’re not sure if you want to accept the suggestion, ask another beta reader. If one beta thinks it’s a problem, it’s an opinion, if two betas think it’s a problem, it’s a problem. Just make sure you’re asking betas you can trust to be honest.
  • Just because you accept it’s a problem, doesn’t mean you have to accept their suggested solution. There are a million ways to address a problem. Always revise in a way that feels right to you.
  • Find critique partners and beta readers you can trust and build the relationship over time. The more trust there is between you, the more honest you’ll be with each other, and the more fun it’ll be!

Rejection

  • Put on the playlist. (see below)
  • Delete it! (After you log it in your querying excel sheet and hide that row, of course.) There’s no reason to linger on it, so get it out of your headspace as quickly as possible.
  • Reach out to a writing friend for support – they will understand.
  • Work on a different manuscript. All your eggs are not in one basket! Have many baskets!! BE THE EASTER BUNNY OF EGGS.
  • Know that: 1.) all writers have been rejected, and 2.) it will get easier. I can safely say I’ve received hundreds of form rejections. They still sting a little, but WAY less than they used to.

Post-Publishing Feedback (i.e. Bad Reviews)

  • Put on the playlist. (see below)
  • Remember the silver linings for 3 stars and below:
    • 3 stars: As a reader, these are the reviews I read before I buy a book. They usually list things they did and did not like about the book and can be very helpful. And as a writer, I have definitely used and grown from 3-star feedback.
    • 1 & 2 stars: Sure, your book wasn’t for them, but your book managed to reach people outside of your friends and family! That’s a huge win for exposure, and there’s no popular book that doesn’t have these, so try to treat it as a rite of passage.
  • Reach out to a writing friend for support – they will understand.
  • Pull up the Goodreads page for your favorite book ever, read the 1-star reviews, and have a laugh.
  • Reread your good reviews. Don’t let that single 1-star review negate those dozens of 4 and 5 stars. There are 8 billion people in the world and counting, no book is for everyone!
  • Rejoice! Someone read your book and took the time to review it, and in many instances, the number of reviews is more important than the average rating.
  • Work on your next book. Because you’re still growing as a writer, and this is only the middle of your journey. Rest if you need to, and then keep on going.

Oh, and don’t forget to jam while you’re at it:

And if you have any song suggestions, I’d love to hear them!

As always, thanks for reading! If you have any questions and thoughts, I’d love to hear them in the comments!

NYC Midnight Challenge Honorable Mention – 250 words – March 2023

When they’re ready

March 2023 (Final Round)
Genre: Open
Action: Shushing
Word: Blur
Time Constraint: 24 hours
Length: 250 words

Life was busy, death was simple, but it’s the hereafter I can’t take.

I arrived in a blur of shattering glass and crunching metal—a spike of agony and then… weightlessness. For days, I wandered familiar streets disoriented and untethered in ghastly shock, until I found the remains of my broken family and wished I hadn’t.

I desperately wanted to tear my eyes from the pudgy four-year-old impatiently asking for me while her unshaven, red-eyed father tied a messy ponytail instead of a braid and forgot Mommy’s special lullaby.

But there was no one to soothe him when he returned to our oversized bed with tears streaming into his stubble. Even as I lay with my ethereal arms around his trembling shoulders, gently shushing his heartbreaking cries, he couldn’t see me—the powerless, spectral witness wondering what crimes we’d committed for such a sentence.

Yet the moment passed, and our grief eased with the whisper of the hourglass. Their omnipresent shadow, I guided Nick’s hands with my translucent ones as he learned to braid, and I sang my lullaby alongside him as he tucked Amelia into bed.

The seasons changed, and now sweet giggles lace Mommy’s song as they hum together while Nick braids Amelia’s hair perfectly for her first day of school. She gets on the bus, laughing as she waves goodbye. Nick and I wave back, and when he finally smiles, relieved certainty enfolds me.

The hourglass falls silent, and I’m weightless once again—a shadow no more.


This one got an honorable mention in the final round! The best I’ve ever done so far! The feedback is below!

WHAT THE JUDGES LIKED ABOUT YOUR STORY

{2104}  This was a sweet and poignant story. I particularly loved the middle paragraph in which you wrote, “Even as I lay with my ethereal arms around his trembling shoulders, gently shushing his heartbreaking cries, he couldn’t see me—the powerless, spectral witness wondering what crimes we’d committed for such a sentence.” It is a lovely piece of imagery. Well done.   

{1788}  The narrator’s point of view was handled skillfully, allowing the reader to see the limitations of her new form but also her close proximity to the loved ones she couldn’t touch. It was particularly effective when she wasn’t able to comfort Nick, her “ethereal arms around his trembling shoulders.” For a wife or mother, it’s an unbearable thought, but it was heartening to see how quickly Nick found the strength to tend to Amelia.

The change in Amelia and Nick’s attitudes was more than believable, and the author showed the passage of time very well throughout the text. Even learning how to braid hair can take many days, and the sight of her perfect braid and his smile were lovely final images. 

{2206}  A tender story of loss and love with a hopeful ending.

“I wandered familiar streets disoriented and untethered in ghastly shock, until I found the remains of my broken family and wished I hadn’t.” A powerful depiction of life after death; dead but not gone. Here but separate.

“…spectral witness wondering what crimes we’d committed for such a sentence.” The agony of these words, speckled with alliteration and read like poetry.

An exquisite ending of the healing power of time and help from the unseen world.

  {1943}  Oh my gosh, this was a heartbreaking, beautifully written story. Your opening was powerful – I loved the balanced sentences and vivid description as she arrived in the hereafter and eventually “found the remains of my broken family and wished I hadn’t.” This was fabulous writing – you had me hooked right from the start. The concept of her being physically with Nick, while also being unseen by him was heart wrenching – I had tears in my eyes at “Their omnipresent shadow, I guided Nick’s hands with my translucent ones as he learned to braid”. The idea of them having a shared grief – “our grief eased with the whisper of the hourglass” – was beautiful. This image of the hourglass was wonderfully evocative, especially as it fell silent to release her at the end. Wonderful!

  {2274}  The story depicts grief through a harsh lens with not only the daughter but the husband suffering. They are both lost without her and at first all she can do is join in ineffectually. Indeed, why such a sentence? But the story takes a nice turn when the mother can help “train” daddy to improve his mothering. The ending is bittersweet but closes the most pressing part of the grief cycle. Amelia and Nick will make it and mom is finally able to move on to where she belongs. It’s a complex arc with three fully developed characters for such a tight word count.  

WHAT THE JUDGES FEEL NEEDS WORK

{2104}  Other than the middle section which I referred to above, there is still more room for showing rather than telling in your story. By showing more, you allow your readers to delve more deeply into the heart of your protagonist’s emotions. If you are able to do so, you will take your already very good story and move it up to the next level.   

{1788}  The hourglass could still be a more potent symbol. If it’s an hourglass that only exists in her mind, the author might want to make it a more vivid property. How much sand is left when it’s first mentioned? Do the falling grains unnerve her? Is she ready when the hourglass falls silent? Even if it’s not real, try to make it a more emotionally resonant entity, something she and the reader can see changing over time. The author may even want to place it in the first half. It seemed like a missed opportunity not to make it a more integral part of the piece, especially since it’s in the story’s last sentence.

“When They’re Ready” is a moving and unique microfiction work. Once the author highlights one symbol further, it will be even more wonderful. 

{2206}  The opening line didn’t seem to quite fit the rest of the narrative. In one way, her death was simple, quick even with no effort on her part. But simple doesn’t quite capture the pain of it. Likewise, the first moments of the hereafter, described so powerfully by the writer, would have been very difficult to take, yet she is able to help her husband and daughter as well as witness their healing and moving on to new life, and she seems at peace moving on, too. I would recommend beginning with “I arrived in a blur…” and use the extra words to give the reader a peek of her new life.  

{1943}  I thought your story was excellent, and I found it very difficult to find anything major to suggest that you edit. Perhaps you could consider the transition to “But there was no one to soothe him” – I paused here to reread, wondering why there was “But” at the start of the paragraph. To me, it felt a little awkward that you moved on to consider “him”, as she’d been unable to tear her eyes from the child, not the husband. After I reread, I wondered if you meant that he’d soothed Amelia when tying her hair, whereas nobody was there to soothe him, but this connection felt tenuous. I was also curious about the transition “Yet the moment passed”, as again, the tone of this felt a little disconnected to the previous paragraph. Maybe editing these two transitions could create a smoother read, but honestly, I am nitpicking as your writing was outstanding. 🙂

  {2274}  There’s never a clear explanation about how the mother is finally able to act upon her family when she couldn’t in the beginning. In this world, is it just something that must be learned? Did her spirit become stronger? It’s challenging to attack all details within a short story but this detail is relevant to the ending and some fleshing out would help the reader feel the narrative arc is complete. To gain the word count, a little could be trimmed throughout by choosing what adjectives and phrases are less necessary.


You can find the rest of my NYC Midnight Challenge entries and feedback here.

NYC Midnight Challenge – 250 words – December 2020

(An oldie, but I’m trying to clean up my NYC Midnight Challenge Post page.)

DArk TanGles

December 2020 (Round 1)
Genre: Drama
Action: Haircut
Word: Charge
Time Constraint: 24 hours
Length: 250 words

Pulling a brush absently through her waterfall of midnight hair, Lyla’s deadened eyes stared at the sharp steel blades resting next to the bathroom’s cloudy mirror. With every brushstroke, another memory peeked through the shower’s lingering fog.

There was Josh, tall and handsome, curling a lock around a loving finger. Another sweep of the bristles, and he folded her into his warm arms, pressing his lips to the pale line parting the sable curtains of her waves.

Lyla pulled harder, breaking through the wet, crackling snarls, and a different mirror reflected back at her, spotless and bright, as she braided an ebony plait to cover the purpling bruise on her temple.

She yanked again, and Josh’s strong fingers clawed into her scalp to drag her across the kitchen, stray black strands sticking to the scarlet gushing from her nose.

Dragging the brush through the knots one last time, she replayed herself winding her curls under a stained beanie and boarding the musty greyhound bus in her desperate charge cross-country to finally collapse at her sister’s doorstep with matted, greasy hair still tucked under the dirty cap and the bruises yellowing around her eyes.

Sobs now choking her breath, Lyla threw the brush down in a jarring clatter. With a scream, she grabbed the waiting kitchen shears and hacked through the dark tangles of hair and memories, the heavy locks pooling at her feet.

Chest heaving and cropped hair jagged, she glared back at the mirror, eyes still swollen—but furiously alive.


This one came in 3rd place in my group, and I got to advance to the next round. The feedback is below!

WHAT THE JUDGES LIKED ABOUT YOUR STORY

{1774}  This built with such compelling intensity. The imagery with Lyla’s black hair through the stages of her relationship with Josh worked powerfully to convey the escalating abuse and deteriorating bond. The violent haircut felt like the shedding of much more than hair. Well done!

{2024)  I enjoyed how the author incorporated the topic of domestic abuse into what could be a simple story about a haircut. I thought the transitions to the flashbacks through the strokes of brushing Lyla’s hair felt surprisingly natural and very cinematic. I appreciated that we could feel the build in tension from the absent pulling of the brush all the way to the hacking through the dark tangles at the end. I also appreciated the variety in the author’s descriptions / metaphors.

{1953}  I love how the author artfully used the mirror as a kind of time capsule (a very effective narrative-condensing strategy in such a short story)!

WHAT THE JUDGES FEEL NEEDS WORK

{1774}  Lyla’s hair must have represented something Josh loved and used to his advantage. Share if he insisted on her wearing it long, exhibiting another area of control. That would make her hair liberation all the more sweet. To preserve word count, you might cut the “…matted, greasy hair still tucked under the dirty cap …” line, as you already describe her hair as she put the cap on before boarding the bus.

{2024)  My only confusion (super irrelevant to the plot) was about the texture of Lyla’s hair. It’s described as a “waterfall of midnight hair” and “sable curtains of her waves”. Then later as “wet, cracking snarls” and “curls”. It’s inconsequential to the story, and I appreciated the variance in descriptions, but the stray thought gave me pause while reading.

{1953}  I recommend that the author reserve elevated descriptive words for the most emotionally charged details. Lines like “the pale line parting the sable curtains of her waves” compete (in a less-than productive way) with the emotional impact of her “matted, greasy hair still tucked under the dirty cap.” While I understand that the author is trying to develop a contrast, it might be a more effective contrast if some descriptive language was trimmed back in the earlier lines about Lyla’s hair (ex: “the pale line parting the sable curtains of her waves”  could be pared down to “the pale line parting her waves”).

NYC Midnight Challenge – 250 words – Feb 2021

(An oldie, but trying to clean up my NYC Midnight Challenge Entry Page since it’s getting crowded.)

Memories of lilIes

February 2021 (Round 2)
Genre: Drama
Action: Opening a laptop
Word: Show
Time Constraint: 1 day
Length: 250 words

Thanks so much to the Academy of the Heart and Mind for publishing this one! You can find it here. This was my 2nd round entry and did not place, but the feedback is below.

WHAT THE JUDGES LIKED ABOUT YOUR STORY

{2008}  This is a very well done story. It holds reader interest. It develops and unfolds effectively, and the reader does feel for the characters. The social comment is superior. 

{2007}  I love the details in this piece–the lilies from mom sparking the Google search, the suit he would’ve hated, his homely cat, and then the final moment where the narrator decides to send lilies to his grave. All of these things add up to a vivid world for this story to have happened in, and they make the piece more believable through their specificity. 

{2022}  The ideas behind this story are very poignant to read right now, for obvious reasons. I liked how you first depict the internet as a life-line connecting your protagonist to memories of past intimacy, and then as a vessel bringing a fresh sense of loss. That duality was powerful. 

WHAT THE JUDGES FEEL NEEDS WORK

{2008}  It would be helpful to have more background information, especially in the first paragraph? And while it does not exactly matter, why do lilies remind ‘her’ of ‘him’? 

{2007}  Something you might add in revision, if you decide to revise, is some kind of interaction between the narrator and the ex through flashbacks. It’s hard to feel emotionally attached to someone we only see through a Google search, and it’s hard to feel sad about the death of someone we have no emotional attachment to as a reader–but a tender moment, or a heartfelt memory, will help to spark an emotional reaction in the reader. 

{2022}  Maybe this is just me, but I think there would be more narrative coherence in this story if your protagonist’s ex had died of covid–or if the irony of him dying in any other way during the pandemic were incorporated somehow. I think this would add an interesting coat of commentary.

2021 NYC Midnight Challenge – Short Story

(It’s an oldie, but I’m posting to clean up my NYC Midnight Challenge Link Page.)

Secrets in the seams

January 2021 (Round 1)
Prompt: Historical Fiction
Theme: Vengeance
Character: Seamstress
Time Constraint: 8 days
Length: 2500 words

Once, they had gathered in the square for bustling markets and merry festivals, but now that food was scarce and joy scarcer, they gathered for an execution. The Germans hadn’t said that’s why they’d been summoned, but they’d all heard the rumors bleeding from the other villages. Secrets were hard to keep in their town, so it had only been a matter of time really. The only question now was who.

But Yvette already knew. Squeezing her mother’s hand, Yvette’s stomach twisted into strangling knots. The nauseating guilt clawed at her with sharp, rusty claws as she recalled how just last week Guillaume had rapped on her window after curfew. How he had whispered of cutting phone lines and slashing tires, cheeks flushed with the thrill.

Guillaume had glowed with the hopeful euphoria of purpose that they had so badly been missing, and Yvette had only looked on with wondering admiration. Even as the rumors of messages sewn into shirt collars and murderous retribution fluttered through the town like dead leaves. Even as Yvette had witnessed informants passing their poisonous letters to the Germans—turning in their countryman for no better reason than petty spite.

Why hadn’t she asked Guillaume to stop? Demanded it of him. Begged him. 

They couldn’t afford to be angry when survival already cost too much. For them, the war was already over… they had lost.

But it wasn’t Guillaume they dragged into the square. Though his purpled face was almost too bruised to identify, Yvette could tell it wasn’t her dearest friend, and she nearly collapsed with relief. 

“It’s Maurice Laurent,” someone murmured.

Maurice’s mother screamed out from the crowd, fighting against the Germans in their gray uniforms as they restrained her. And a mix of shame and sorrow heated Yvette’s cheeks. Because of course, she knew the Laurents too. In a town so small, how could she not?

The Germans dragged Maurice to the church’s brick wall, allowing him to collapse to his knees, blood dripping from his swollen lips and his bludgeoned eyes too swollen to see.

“This terrorist was caught vandalizing official Reich materials,” the dark-haired Captain Richter announced. Brandishing his pistol, he stalked in front of the crowd like a wolf terrorizing sheep. “A crime punishable by death.” 

Tearing down ridiculous propaganda. Yvette swallowed the clod of injustice that threatened to choke her. The highest of penalties for the smallest of rebellions—the price they paid for anger.

“During questioning,” Captain Richter continued, teeth flashing. “He informed us of an accomplice.”

They dragged another boy from the courthouse, and Yvette’s blood froze. 

Guillaume Bertrand hung between the towering Germans, his blackened eyes wide with fear above his bloodied nose. 

“No!” Guillaume’s older sister, Marie, shrieked from the crowd, but her father held her fast, even as pain carved his grizzled face.

Yvette’s mother’s hand tightened on her elbow. “Stay quiet, we barely know him,” she whispered. The same mother that had kissed Guillaume’s cheeks and invited him into their home countless times. “If we bring attention to ourselves, they will take us as well.”

“When accused, he insulted the Wehrmacht and refused to show remorse for his actions,” Captain Richter said, his cold dark eyes glinting with some sort of reptilian satisfaction.

Yvette could scarcely breathe now, her eyes wide and her lungs paralyzed with shock. Guillaume had done nothing wrong. And he was but seventeen—a year younger than her. And he was sweet and kind and full of hope. 

Now, there he sat, beaten and shivering in the brisk fall air. His last moments soaked in terror and sorrow and injustice. Blackness edged Yvette’s vision as Marie’s cries mixed with Madame Laurent’s, punctuating the lifeless silence of the crowd. 

“As such, he will serve as an example to those that resist the Reich.”

Her head spinning, Yvette pulled against her mother’s grasp, longing to do something, to call out for Guillaume, to at least let him know she was there. To scream for someone, please God, do something. But her mother pulled Yvette against her instead, hiding her face in her chest.

And the gunshots shattered the square.

***

Captain Richter and his men walked up to the tailor shop as if nothing happened the day before. Outside the door, they smiled and joked to one another in their harsh mother tongue, their gray uniforms crisp and imposing.

Yvette prayed that they would pass by. That they were only looking in the window. But, as usual, God was silent, and Captain Richter opened the door with a bundle of cloth in his arms.

She could feel his gaze finding her in her corner, but she didn’t look up. She couldn’t. If she met his cold, glassy eyes, she would shatter into a million shards that her mother would have to sweep up.

Yvette stared at the garment in her hands instead, thrusting the needle into the dress again and again. But her mother was more practical of course. The rhythmic clacking of her sewing machine hushed, and she stood to greet the German.

“Captain Richter, how may I help you?”

“I came across these fabrics and thought to make them a gift for my wife. Do you think you could turn them into something fashionable?” 

He held them out. Though the style was a little dated, the fabrics were beautiful—one a solid emerald green, the other a light floral pattern with pearl buttons, and the third a jazzy striped design. Yvette couldn’t help but wonder where he had plundered them from. Was the owner of these dresses currently on a northbound train to one of the camps? Or was she already dead?

“I don’t have her exact measurements,” Richter’s dark eyes skated over to Yvette, “but her figure is much like your daughter’s.”

Yvette had to force her hands to keep moving as hatred and fear snarled into frazzled tangles in her stomach.

Flattening a frown, her mother nodded. “Come Yvette, see what you think.”

Yvette rose as her mother demanded. She lifted her chin in time to see Captain Richter’s steely eyes running up and down her body. Her grip tightened on her needle.

“My daughter is a brilliant seamstress. Do you like the style of her dress? It’s quite the trend these days. The fabric is faded now, but she made it herself.”

“Indeed,” Capt Richter answered, stepping toward Yvette. “It is actually her very style that drew me to your shop in the first place. Her dresses always seem to stand out in the crowd.”

Yvette lowered her eyes, trying not to visibly stiffen as he ran a hand along the sleeve of her dress. Her gaze caught on the rust-colored bloodstain that marred his cuff. Guillaume’s blood. Maurice’s blood. The blood that paid for these dresses. It could have been one of them, or all of them, or so many more.

A hateful chill tingled along Yvette’s spine. She imagined herself ripping her arm away, raising her needle, and burying it deep into one of those granite eyes. But she only mumbled, “You should get your jacket laundered.”

He withdrew his hand, examining the stain. “Ah, so you are right, Mademoiselle.”

“We’ll have the dresses in two weeks,” her mother interjected, hands wringing.

“Thank you, Madame,” he replied, reluctantly turning toward the door. “Till tomorrow then.” With the twist of an ugly smile, he left the shop and continued down the street with his men.

Yvette let out a shaky breath as her mother dropped the fabrics onto the table in front of her. “It wouldn’t kill you to smile, Yvette.”

“Ah, so is that what you want of me?” she snapped, her boiling fury finally overflowing. “It is not enough to mend their clothes, to make them dresses from the clothing of our dead, to let him put his hand on me…” Bile burned Yvette’s throat. “…But you want me to hang on his arm as well, perhaps even follow him back to his—”

“Enough,” her mother sighed. “You know I didn’t mean that. This town is full of letters stained with others’ secrets. A smile can go a long way to allaying suspicion.”

“I’ve done nothing,” Yvette hissed, stabbing her needle back into the dress.

“Neither did Guillaume,” her mother whispered.

Yvette’s needle paused, her fingers shaking.

“I know you are angry and sad,” her mother continued. “But you must put away these feelings. It is the only way to survive this.” Her lower lip trembled. “With your father already gone, I cannot lose you too.”

Yvette let her mother wrap her in her arms, the bitter, unwanted tears flowing between the two of them. But even as she wept in her mother’s anchoring embrace, she knew what her mother did not.

Yvette was already lost.

***

Yvette made sure the street was vacant before she knocked on the door. Marie Bertrand opened it, her red-rimmed eyes turning hard as took in the basket in Yvette’s hands.

“We don’t accept food bought with German money,” she sneered, turning to close the door.

“Who is it?” her father, Monsieur Bertrand, said, limping to the door. “Oh goodness, Yvette, does your mother know you’re here?”

Yvette shook her head, and he glanced down the street. “Well hurry in girl, you can’t let them see you here.”

Yvette ducked in the doorway under Marie’s upturned nose and walked into the small familiar kitchen. “These weren’t bought,” she murmured as she unloaded the vegetables onto the table. “We grew them in our garden.” And after Guillaume’s death, their already meager rations were sure to be cut.

Monsieur Bertrand rested his calloused hand on her shoulder. “Thank you, my dear, we appreciate your kindness.”

Her basket empty, Yvette clasped her hands together. “I… also wanted to apologize,” she said thickly. “I knew about Guillaume’s… activities. I should’ve stopped him.”

The Bertrands stiffened. Yvette had just implicated herself. If they were to tell the Wehrmacht, they would take her away with no questions asked. She would disappear just like so many others.

Yvette swallowed. “But couldn’t the resistance have done something to stop them?”

“Hush girl, even to speak such things is dangerous,” Monsieur Bertrand said.

Marie crossed her arms. “You see what they did for a mere insult. Retaliation would cost more lives.”

“Then why risk so much for so little?” Yvette asked softly. “Isn’t it better to survive?”

“To survive in this misery is only to perpetuate this hell.” Marie slammed her fist against the wood. “How we survive is just as important as how long.”

Bertrand reached out for his daughter’s hand. “This is not the world I fought for.” He shifted his stance, his fake wooden leg clunking against the floor. “So we will continue to fight in any way we can. No matter how small. No matter the price. To do otherwise would be to let the sacrifices of so many go in vain. We fight on for Guillaume.”

Yvette nodded, Monsieur Bertrand’s words speaking to a truth that perhaps she had known once but had been forgotten in a coat of dust. Swept away and locked up with the others that would’ve spoken the same. Silenced with bullets and soldiers and trains to nowhere.

“I will fight too.” Yvette squeezed the basket’s rough handle. “For Guillaume.”

Marie snorted. “You? You’re but a girl sewing patches on Nazi uniforms and taking their money with a smile.”

No, never with a smile. 

Bertrand squeezed Yvette’s arm. “I’m afraid Marie might be right. I’ve seen how Capt Richter looks at you. If you’ve already caught his attention… it’ll be too risky.”

“It’s my risk to take.”

“Until you talk,” Marie snapped. “Then we’re all at risk.”

“I wouldn’t,” Yvette protested.

“Oh my girl,” Bertrand said, pity creasing his face. “They would have you confessing to things you didn’t even do.”

Yvette thought of the bloodstain on Richter’s cuff, thought of his hand on her arm—and her doubts calcified into resolve. “I can take care of Richter. All I need is a chance.”

Bertrand and Marie shared a look.

“She’s not a safe bet,” Marie whispered.

“If it was safe, it wouldn’t be a bet.” Bertrand shrugged his large shoulders. “What do you need, girl?”

“A secret.”

***

Yvette’s plan was simple. She’d turned it over in her mind again and again, searching for the snags and fraying edges, but it held firm all the same, if only just barely. As she went through the motions, so small were they, she could even pretend they weren’t dangerous. She was only taking Captain Richter’s dresses to be laundered. She was only sewing another stitch. She was only writing another letter.

But still, when the Wehrmacht issued another summons to the square, that same wave of suffocating nausea threatened to unravel her. She had failed somehow. Perhaps they had been following her. They knew. How could they not? She was just a girl after all.

With her mother’s arm through hers, and the crowd bunching tightly together, Yvette could barely lift her eyes to the line of Germans facing the village square. Marie found her gaze first, her eyes tight and worried. But where was Monsieur Bertrand? Panic rising, her breaths wheezed out in strangled gasps.

“Keep yourself together, girl,” her mother whispered. “Or they will take you for just looking guilty.”

Her mother’s fingers tightened around her hand, and Yvette sucked in deep lungfuls of air. Even if she didn’t survive this, she had to be brave. Like Guillaume had been.

At last, her courage mustered beneath her, Yvette searched for Captain Richter’s predatory smirk in the overcast afternoon.

But he wasn’t there. An unfamiliar Major glared at the crowd instead and waved a letter. Yvette didn’t have to look closer to know it disclosed the rumor of a German spy, the warning written with her own left hand.

“Have faith, Frenchmen,” he shouted. “The Reich will root out weakness wherever it shall be found. From without,” he turned to his soldiers, “or within.”

And then the Germans were dragging Captain Richter into the square, buttons missing, uniform ripped from where someone had ripped out the code roughly sewn into the collar with uneven stitches—the mark of an amateur. Certainly not a professional tailor. Blood dripped from his face to stain his battered uniform once again. But not Maurice’s blood this time, not Guillaume’s blood—it was his own blood.

Yvette found Marie’s eyes again, and this time they glinted with approval as her father limped to her side. Still, Yvette did not smile as they shoved Richter against the wall, did not feel an ounce of joy as the Major lifted his Luger. But nor did she look away as the shot rang through the air.

This small vengeance hadn’t rescued Guillaume, or Maurice, or the owner of the beautiful dresses. But it had saved Yvette. She was no longer just surviving. The war had just begun.

And she was fighting.


Thanks for reading! This short story didn’t place, but the judges’ feedback is below!

 WHAT THE JUDGES LIKED ABOUT YOUR STORY

{2107}  The tension of the first scene is nicely echoed in the events of the last scene, the mirroring of the first execution and the second is a clever touch. The fear and frustration felt by the French under occupation is also evoked well, and clearly explicated in the character and dialogue of Yvette’s mother and Marie Bertrand.

{2071}  A very tightly written, succinct story that packed a moral punch too. Indeed the moral quandaries of Yvette, and other minor characters, are well teased out in such a short piece. I feel the author reakises that we are in familiar ground – WW2, Nazi occupied France, to resist or not – and so the combination of showing the moral choices to be made and then a very original final twist lifted this story significantly above the usual terrain.

{2022}  The scene in which Captain Richter enters the shop is terrific and chilling. So much menace is held in the way he looks at Yvette.  

WHAT THE JUDGES FEEL NEEDS WORK

{2107}  Yvette’s act of revenge is left largely unclear and how Richter is implicated is not sufficiently explained – the moment of justice therefore lacks the thrill of success as it’s not clear what has been succeed in.Consider also giving a little more contextual detail, such as where in France the action takes place and what the village looks like – historical fiction benefits from these kinds of details.

{2071}  Though Yvette is a good character we are perhaps left a little short on her actual emotions. Indeed the whole piece could benefit from more emotion, more if the raw and conflicting emotions noted that informs ultimate decisions to act or not.

{2022}  It’s clear that Guillaume and his family are part of the resistance, but it isn’t clear what he was doing when he was caught by the Germans. This initially puzzled me and somewhat distracted me from the scene of his execution.

***

Thanks for reading!

How I streamlined my writing process

Image by 0fjd125gk87 from Pixabay

So… I used to consider myself a “Turtle Writer.” And, my friends, it took me 8 years from when I started the first draft of my first book to when I published it. My second novel took me 4 years from start to publish.

For comparison, for my next release, Time’s Orphan, there will be 11 months between starting and publishing. And for my YA sci-fi launching in April, there were around 15 months from starting to when Whimsical Publishing acquired it.

And trust me, my two newest books are *way* better than my first two novels. (I still love my first two, but objectively, I’m a much better writer than I was 10 years ago, thank goodness.)

There are much faster writers than me out there, and much slower ones, but in any case, I halved my writing process time from Book 1 to Book 2, and by Book 8, I will have cut the time by 88%. One of my writing friends recently asked how I made that happen, so I thought I’d break it down here.

Image by Ralf Designs from Pixabay

Why did my first two books take so long?

This answer’s pretty easy. First, I didn’t actually believe I would publish it. I thought it was unsavable, and I thought by writing it, I had accomplished my writing goals, so I shelved it.

In 2017, I picked it back up, but I was still lost. I revised and edited as best as I could, but I wasn’t until I found the writing community on twitter, that I even thought about getting critique partners and an editor. After getting that feedback, I ended up *heavily* revising the first half of the book.

And there so many stops and starts during that time. I would say it’s because life got busy, which is true, but it’s also because I hadn’t found a rhythm. And more importantly, I still was unsure of my commitment to writing. I still thought Odriel’s Heirs would be the only book I would ever write. (Oh, silly me. 😂)

With the second book, I found indie author friends online as well as consistent critique partners, and that changed everything.

Image by Alan from Pixabay

So what happened with the third book?

We can break it out into a few important eureka moments:

  • I gained confidence. I’d put myself out there, been rejected dozens of times, had a few reviews that smarted, but had a lot more that encouraged me forward. With all that under my belt, I no longer had that paralyzing fear of failure that had kept me back. Even if the next book doesn’t get picked up by an agent, I can publish it myself – and that’s still very fulfilling to me.

  • Also, I realized I could work on multiple WIPs at one time. This was absolutely crucial. Right now I have *FIVE* (😱) WIPs – querying one, editing two, revising one, and plotting one. I cycle through them to give myself some perspective when I come back through drafts, and that way I can always be working on one thing while I’m waiting on responses to queries, CP feedback, editor feedback, etc.

  • Juggling WIPs also forced me to establish a process that worked for me. My experience allowed me to come up with realistic timelines and goals for myself to meet. It’s incredibly motivating for me to cross things off my list, and it lets me see the things I have to look forward to.

  • I found CPs & Betas I can depend on, and in a pinch, I knew how to find others quickly (psst critiquematch.com). Their objective feedback is invaluable to help me find problems EARLY in the process so I don’t get into the editing phase and have a huge “Oh Sh*t” moment. They also continued to teach me valuable writing lessons, and I hone my own editing skills on their work as well. These relationships are also a bulwark of support and encouragement which is also vital to a process heavy in critique.

  • I studied up on writing craft books which have given me epiphanies that also helping in every phase of the journey. But most critically, Save the Cat Writes the Novel gave me the framework I needed to learn how to plot effectively. Once again, it allowed me to identify problems very early, which eliminated a lot of time-consuming rewriting.

  • Inertia is powerful. I am *not* an every day writer by any means… but I usually do something writer-related (almost) every day, even if it’s something incredibly small like a tweet-sized story for vss365. The most difficult part of writing for me is starting *anything.* So by keeping that positive pressure, I can keep rolling without mentally having to do the thing where I show up to write and think “Um… how do I do this again?”

Anyways, those are just the tips that have worked for me. Ultimately, every writing speed is completely valid. As long as you’re enjoying the journey, that’s what’s most important.

Thanks for reading! I hope this was helpful, and if you have any other questions, let me know!

Book Playlists!

Music Meets Books!

So, I’m not a musically inclined person by nature, but I decided to try to make some playlists for my books, and I absolutely loved it! Listening to the playlists added this whole other dimension and put me right into the book so I could experience the scene play out. So cool! Naturally, since it was so awesome, I had to share. Below, are the playlists for the entire Odriel’s Heirs series, and I’ll be sure to add them to their page on this site. I’ll also release the playlists for Codename: CNDRLA and my 2023 sci-fi closer to publication!

I hope you enjoy them and as always, I’d love to hear your suggestions and recommendations if you have any!

Odriel’s Heirs

Burning Shadows

Idriel’s Children

Night of Ash

Time’s Orphan

Night of Ash out 27 Sep & Time’s Orphan release in February!

Thanks for reading!