For Writers: Why was my manuscript rejected?

So I became a WriteHive mentor because I wanted to pay forward all the wisdom and experience the writing community had gifted me over the years. And since I’ve done quite a lot of beta reading, critique swaps with partners, and also worked with quite a few editors over the years, I felt pretty comfortable that I’d be able to help someone improve their manuscript.

But what I totally wasn’t expecting was everything I learned during the manuscript selection process. I hadn’t considered that this was the first time I was on the other side of an acceptance/rejection decision. And what it brought it really home for me was that authors had actually requested me as a mentor in their queries!🤯I was so completely flattered and blown away.

In this article, I’m going to break down how I narrowed the submissions to select my mentee, the materials I looked at, and the questions I asked myself along the way. I found this a very enlightening process and thought it might be helpful for others going through the querying or submission trenches. However, please keep in mind, everyone has their own methods for selecting manuscripts for both representation, mentoring, and publication. This was simply the process and realizations I had during mine.

Here’s a quick breakdown of how many submissions came in for 17 mentors:

140 submissions (a 52% increase over 2024 – yay!)

Age demographic submission breakdown:

  • MG: 12 (8.6%)
  • YA: 39 (27.9%)
  • NA: 15 (10.7%)
  • Adult: 74 (52.8%)

Publishing path submission breakdown:

  • Unsure about Publishing Path: 21 (15%)
  • Self Publishing: 14 (10%)
  • Indie / Small Press: 20 (14.3%)
  • Traditional: 85 (60.7%)

And genre breakdown:

  • Fantasy: 51 (36.4%)
  • Romance: 23 (16.4%)
  • Romantasy: 23 (16.4%)
  • Contemporary/Literary/Nonfiction: 17 (12.2%)
  • Horror/Suspense/Mystery: 16 (11.4%)
  • Sci-Fi: 10 (7.2%)

Each submission included their bio, the state of their manuscript (where was it in the writing process), pitch, their query letter, a synopsis, and their full manuscript. But how to narrow it down? I really wanted to make sure I picked the mentee who I could help most. A manuscript I could really fall in love with, but also one that I could help in a concrete way.

The first cut

So, even though I had outlined my general preferences in my MSWL (manuscript wishlist), I read the pitch, query, and first page of all 140 submissions, with one question in mind:

Does the premise grab me?

Based on that question alone (which, by the way, had *nothing* to do with the talent of the author or the quality of writing and everything to do with personal preference), I was able to cut my list down from 140 to 26.

That, in itself, blew me away. After all, I’ve received many rejections, and of course, every time, I assumed it was because I wasn’t a good enough author. My writing wasn’t good enough. The story wasn’t good enough.

But here I was, cutting 81% of the submissions with no regard to quality at all. Honestly, I probably could’ve done it based on the pitch alone.

Interesting.

So with that cut, my list was down to:
3/12 Middle Grade: 25%
9/39 Young Adult: 23%
2/15 New Adult: 13%
12/74 Adult: 16%
Total Longlist: 26/140

The Second cut

For there, I reviewed the bio, the state of the manuscript, their synopsis, and their query again. From these materials, the mentees included information on if they’d started querying it, which paths – traditional, small press, or self-publishing – they’d consider pursuing, and what they were looking for in a mentorship.

On my second cut, I was asking myself: Is this a mentee I can help? Am I the type of mentor they’re looking for?

Once again, I was not considering the quality of the story or writing at all. I was simply trying to ascertain at this point if we could be a good match based on my strengths and the kind of mentor they were looking for.

In the second cut I went from a longlist of 26 to a longlist of 12.

2/12 MG: 17%
3/39 YA: 8%
1/15 NA: 7%
6/74 Adult: 8%
Total Trimmed Longlist: 12

So at this point, I had cut 91% of the submission without considering quality of writing or story.

The third cut

The third is where I finally read the entirety of the first chapter and then asked myself: Am I drawn to keep reading? This is the first question I’d asked that could have been attributed to writing quality.

The third cut took me from a longlist of 12 to a short list of 7: 2 Young Adult Manuscripts and 5 Adult Manuscripts. From there, I read further into the manuscripts, and once again, this time, looking for the manuscript that I thought would be most suited to my tastes. In the end, I chose the story I had extremely concrete recommendations for, one which was very much suited to my personal taste, and had an author who was searching for knowledge areas I had. And just as an aside, only one of my top 3 choices showed up on another mentor’s top 3. For the most part, all of our top 3 choices were radically different.

So what’s the point?

When it came to publishing, I’d often heard the phrase “right eyes, right time.” Meaning essentially, that there are tons of quality stories out there, but you need to find the right agent/editor that’s the best fit to champion yours at the right time in the market. Which… comes down to a lot of factors outside of your control.

But once again, every time I faced a rejection, it was so easy to take it as a sign that I wasn’t good enough to be an author. Or the story wasn’t good enough to be published. But the truth is, writing, as an artform, is so personal. No one book is for everyone – and that fact is as true before publishing as after it.

So, if you submitted to the WriteHive mentorship, please don’t be discouraged in any way if you weren’t selected as a mentee. It really has no reflection on your ability as a writer or a storyteller, but rather simply, if your story was a good match for the mentors reading submissions this year.

And as I continue to trudge on in the submission trenches, I’m trying to keep the very same lesson in mind. That my stories need to find the right eyes at the right time. Whether that’s next week or next year or in three years really isn’t up to me. All I can do is be patient and keep writing the best stories that I can.

Hopefully, if you’re in the query or submission trenches, this has been helpful in some way and can also help you to find the mindset and perseverence you need on your writing journey.

Rejections are tough. There’s no two ways about it. Just remember to take care of yourself, take lots of breaks, and keep on keeping on.
Begin. Grow. Persevere.

Thanks for reading!

For writers: The ups & downs of being on submission

Look it’s me in the query… I mean submission trenches! 😂

So, the first rule of being on sub is that we don’t talk about sub. But, instead of talking about the specifics of my sub journey, I’m really just going to talk about the general vibes of being on submission. Because it’s definitely come with some surprises for me. Please keep in mind this is my own personal take based on my experience, which may or may not align with anyone else’s.

The good

  • Your agent believes in you and your story! This is huge!
  • The doors to the big publishers are open and your agent is championing your story! This is also huge!
  • You no longer have to spend valuable writing time sending out queries
  • So… you get more writing time! Huzzah!

The less good!

  • The stakes are higher. Think of it as climbing higher up a mountain and having farther to fall. (Because now your agent is also depending on your books to sell. And, if they don’t… well you might end up back in the query trenches.)
  • There’s more hope, and so also more disappointment. If you’re going to ride this roller coaster, mental toughness is a must.
  • Submission response times are longer than query response times (in my experience.) So be prepared to settle in and get comfortable

My Advice

Pessimist?

This is going to sound a lot like the querying advice article I wrote a couple years ago, and mostly these reminders are for me.

  • Try to keep your expectations low. Because even though I have an agent, my book still might not sell. And why you might call me a pessimist, it’s how I keep myself from getting crushed with those near misses. In the querying phase, I treated query letters like lottery tickets, and I need to treat submissions in the same way.
  • Have a rough idea of what you would do if you lost your agent. Would you self-publish your manuscripts or query a fresh book with your backlist in tow? I honestly have no idea what I would do, and I think that’s part of my current mindset problem.
  • Work on something else while you wait! This is common advice, but for good reason. Time goes a lot faster when you’re excited for a new manuscript. And this part, at least, I’ve got down. In the span of fourteen months, I actually sent my agent six manuscripts… which leads me to the next piece.
  • Find other ways to grow and learn as a writer. For me, in 2024, this looked like diving into craft books and signing up to be a mentor in the WriteHive Mentorship Program. But in 2025, I’ll be looking for different opportunities to explore. Conferences? In-person events? Marketing classes? I’m definitely open to ideas and recommendations
  • Trust the process (and your agent) and stick with it.

so what’s the bottom line

Being on sub can be difficult, just like querying can be difficult. But just because it’s difficult doesn’t mean it’s not worth doing. Try to enjoy the journey, even through the ups and downs, and the stories will find their way out into the world one way or another.

Cheers to the tenacity of being on sub and whatever comes next. Good luck out there!