So I loved book 1 of this series, I thought book 2 was okay, and I think I feel about the same about book 3. Though I really like the quick-flowing writing style, over the course of the series, I feel like we just kept adding characters to the Scooby Doo crew and in this one they all kind of blended together. The only one that popped for me is Nate, and while I enjoyed getting more of his story, I felt like the climax felt a just little flat. However if you enjoyed book 2, I’d definitely recommend giving this a try!
I knew it would be hard to follow up the first book after I loved it so much, but this wasn’t the sequel I hoped for.
I felt like in so many ways, we were re-treading the ground covered in book one, and I didn’t see as much magical world-building as in the first book. While the writing was wonderful and I still loved the characters, I feel like we didn’t dive deep enough into them in this book. I think all of those elements combined really slowed the pace down. And yet the ending felt weirdly rushed?
Overall, this left me with mixed feelings about this duology, but of course, if you loved the first one, I’d still recommend picking this one up and seeing what you think. (And the audiobook narration is fantastic!)
⭐⭐⭐¾
Sequels are hard, man! (Did I mention I was in a reading slump? x_X)
What I liked: Wes. I totally wished this had been a dual POV! Wes is so obviously head over heels with Liz from the beginning, but he does what he can to help her get what she wants. And he had so many clutch saves when she was in a bind.
What I didn’t like: Liz. The clueless heroine is one of my least favorite tropes and I got pretty impatient with her. She goes through a big lying phase, treats her best friend poorly, does the whole “makeover for a guy” thing, gives the “it’s complicated” excuse for not communicating, and doesn’t treat Wes very well.
Neutral: This book was chock FULL of pop culture, movie, and song references. I don’t really have any strong feelings about them, but I know some do so I’m throwing it in here.
I don’t think this one was really for me, but if you’re interested in a classic-feeling YA romance, it might be for you!
⭐⭐⭐¼
At 3 “not-for-me” books in a row, I think I can’t deny that I’ve entered into the dreaded reading slump.
Okay, this was fabulous. Fresh tongue-in-cheek horror at its finest. I loved rooting for Margaret, as bizarre as she was with her love for her house and her acceptance of its… quirks. Loved the deeper parallels of the cycle of abuse and strength. Even the journey of Catherine’s (audiobook listener, so I’m not sure how she spells it) understanding and acceptance of her mother. Loved how it didn’t pull punches with the graphic horror, but Margaret’s reaction to it had me smiling every time. And then that ending was just *chef’s kiss.*
Excellent audiobook narration and I already recommended it to a friend within seconds of finishing. Such a satisfying read, and highly recommend for anyone looking for a paranormal horror with a likable main character and a straight-up cathartic conclusion.
⭐⭐⭐⭐⭐
Chef’s kiss and definitely in the running for a favorite read of the year.
The thought of a whimsical halfway tea house on your way to the afterlife
Lovely writing
Most of the supportive characters were engaging and likable
The audiobook narration was good
What I disliked:
The main character, Wallace. At the beginning he is awful, and I thought his redemption and personality shift was way too quick. Honestly, I think the ending he got was completely undeserved, and the speed in which he changed everything about himself made his relationships with the other characters seem shallow.
The pacing. For me, this book progressed very slowly, with the characters 0ften waxing poetic on life and death.
So overall, I didn’t really think this one was for me, but if you’re looking for a philosophical, whimsical paranormal that takes its time, this could be for you!
⭐⭐⭐½
Another recommendation from my coworker. I love the idea of a magical tea house for obvious reasons, but I can’t even with Wallace.
I’m a sucker for a time loop, and I liked Solomon’s Today, Tonight, Tomorrow, so I picked this one up. Overall, I think it was a satisfying new adult romance with slowburn type of romance, but I also thought it was on the slow side and kind of predictable. The audiobook was well-narrated, so if you’re looking for a college time loop story very similar to Palm Springs with sweet but awkward protagonists, give this one a try.
⭐⭐⭐½
Where are all my breakneck pace books at? I need you in my life.
This was… a very weird book. My coworker begged me for months to read it so that we can talk about the end. So finally, here we are. First of all this book is very dark, so watch the content warnings, and I can honestly say that throughout, I had no idea where it was all going, but I thought the end suitably fit to complete the picture.
While I did appreciate how unique the premise and set up was of this world, my biggest issue was that I didn’t really care or connect with any of the characters, so I felt like I witnessed their bizarre, almost-trippy plight in a kind of detached way. And because of the way this is set up, I felt like the climax was extremely understated. That said, if you’re looking for a dark, strange tale of powerful Gods that feels a “out there,” this might be for you.
⭐⭐⭐½
Yes, you were right, coworker, that book was definitely weird.
I didn’t find this one quite as compelling or novel as some of Gladwell’s other books, but the breakdown of how ideas are spread and the case studies illustrating the points are interesting. The audiobook is only 3 hours, so definitely worth a listen if you’re interested in the nature of virality. Though it doesn’t mention the influence of social media on these ideas, the afterword does include other interesting applications inspired by the principles.
⭐⭐⭐⭐½
Totally ready for my books to hit the tipping point over here, just saying. (A girl can dream.)
This is my second Lisa Jewell book, and it gave me a very similar feeling to the first one. (The Night She Disappeared.) Although it held my attention, I couldn’t quite connect with the characters and didn’t find the (not-so-happy) ending to be as satisfying as I would’ve hoped. However, if you like unreliable main characters and a domestic mystery that runs a bit on the grittier side, check this one out!
⭐⭐⭐½
Ehh… probably not for me, but this could be for you!
So when I picked this book up, I don’t think I knew exactly what I was getting into. Covering recent high-profile events of violence, rape, pedophilia, and torture in detail—this is a stomach-turning and uncomfortable read.
And though the accounts Gladwell brings to the table are interesting, for the first 95% of this book, I didn’t actually know what the punchline was or how these topics connected.
At first this seemed to be a book about how difficult it is to actually detect when someone is lying. But then we also delved into topics of both coupling and alcohol. Disparate strands that I’m still having trouble trying together into the final conclusion.
Which (I think) is that in 99% of cases it doesn’t pay off to expect the worst of people, and we cannot turn murky grays into black and white. Honestly, I’m still chewing it all over. But if you’re looking for a different perspective to provoke thought (and you don’t mind dark topics), you might try this one. Though I do believe you have to read to the very end to see what he’s trying to get at.