The Night She Disappears follows three POVs: Tallulah (a 19yo mother, who mysteriously goes missing along with her boyfriend), her mother, and a mystery novelist who’s just moved to the area.
While the premise was interesting—couple disappears with out a trace—and there were a few little twists and turns I didn’t expect, I had a hard time falling in love with the characters. Particularly, I found Tallulah’s passiveness rather frustrating, and overall I found the tension just a little low. I’m not sure if that’s because it seemed overlong, or because the sense of danger wasn’t really there.
If you’re looking for a solid mystery in the English countryside that takes it time, it might be worth a look.
⭐⭐⭐½
Hmm… do I fear a reading slump coming on?! Surely not!
Okay… this book was interesting. I loved Uprooted, and also enjoyed Spinning Silver, so I was certainly excited to read another by Novik.
And, I definitely think some readers would love it. But it’s told in first person (which usually I don’t mind one away or another about this), but about 60% of the book really just feels like El telling us about the school in a simultaneously angry and matter-of-fact manner.
The school and the magic system are fascinating, don’t get me wrong, but… the plot itself and the characters both felt rather lacking to me. With such high stakes, the premise felt RIPE for intensity, danger, and some level of angst… but El is so matter-of-fact about everything, it just felt a little flat.
While the relationship between her and her classmates develops naturally, the relationship between she and Orion feels decidedly lukewarm, as does my feelings towards their characters in general.
The premise was awesome, the world-building fantastic and the audiobook was well-performed, but I guess El’s intensely pragmatic narrative just didn’t really work for me. But it might work for you! If you’re interested in a dark school of magic with high stakes, I’d check it out!
I might pick up the sequel if I see the audiobook in the library one day, but I don’t think I’ll be pining for it.
Beneath her Skin by C.S. Porter follows Kes Morris, a hardened homicide detective called to a small seaside town to investigate a disturbing murder. This a fast-paced murder mystery that hits all the right beats. It’s a gripping story, tugging you along as the time clicks down on the clock with an underlying sense of creepiness laced in with every scene.
Kes’s take on getting into the killer’s head is really interesting, and the intensity increases right up to a satisfyingly finale. Although the murders are definitely disturbing, I wouldn’t classify them as exceedingly gory or gritty, which is about right on my level. The descriptions, setting, and atmosphere of a small town living in the shadow of killer were vivid and drew me right in to the scenes. While I couldn’t predict the plot twists, they felt really natural and were well-executed. . Kes is a smart and no-nonsense character, but I wish I’d gotten to see a little more of the side characters.
Overall, this was a quick read that I definitely enjoyed, and would totally recommend to crime thriller fans! (Content Warning: Child Abuse.) Thanks so much to the publisher for the free review copy.
So, I was expecting a fun romcom about fake dating, and I don’t think this book was exactly what I was looking for. If I Never Met You follows Laurie after her boyfriend (an coworker) of 18 years breaks up with her for someone else, and she decides to fake date the office player to make him jealous. The love interest doesn’t really show up until like 30% in, and the book mostly focuses on the Laurie getting over her 18-year-long relationship, rather than really falling for her fake-boyfriend. Though I liked the two main characters well enough, their relationship feels extremely platonic, and then suddenly at the very end it’s super serious. It held my attention though, so if you’re looking for a tale of break-up recovery and friendship with a sprinkle of romance, this might be for you. Oh also, for those curious: I’d rate it R for language, but the romance scenes are fade to black.
April 2022 (Round One) Genre: Thriller/Suspense Word: Think Action: Borrowing a Tool Time Constraint: 24 hours Length: 100 words
The doorbell rings again as I stumble through my dark apartment. Bleary-eyed, I open the door to find Nate in a dripping windbreaker.
Weird, I didn’t hear the rain.
“Dude, it’s three a.m.” I squeeze my temples, barely able to think after our boozy night. “Weren’t you staying at Mia’s? Did you fight?”
His gaze darkens. “Dylan, we’re friends, right?”
“Yeah.” I stifle a yawn. “You can crash on the—”
“I need to borrow something.”
My skin prickles in the balmy night. “What?”
“A shovel.”
My eyes finally focus, and I realize it’s not rain on his jacket.
It’s blood.
JUDGe’s Feedback
This one placed third in my group and got me to the next round! The feedback is below!
WHAT THE JUDGES LIKED ABOUT YOUR STORY
{2195} The word choice in this is precise, each description carrying weight to further the story. Moving plot onward using conversation can be challenging but it’s done effectively here.
{1936} This story had me riveted. The first line shows us the urgency of the doorbell as it’s clearly not the first time it’s rung. The dripping windbreaker and the fact that it’s not raining – again, eerie clues that something is not quite right.
{2230} What a compelling read! I must say, I love this title — very clever, and it offers great foreshadowing as to what kind of events may unfold. I like how descriptive this story is; I could easily envision this playing out in my head while I read it, almost like a scene from a spooky short film. It’s very visual, and that reveal at the end is great: the jacket was wet with blood, and not from the rain.
WHAT THE JUDGES FEEL NEEDS WORK
{2195} Suspense thrives on what is left unsaid, and in this case I might prefer to leave out the last two words and leave the reader’s mind to figure out. Instead of using italics for thought, it may do double duty to have Dylan, for example, look up the cloudless sky and also let the reader make that inference.
{1936} I honestly don’t think that last line is needed (the age-old “show don’t tell” rule). Possibly consider ending it with the line just before it (“My eyes finally focus, and I realize it’s not rain on his jacket”). Trust the readers to draw their own grisly conclusion.
{2230} While I love this clever use of the prompts — particularly, “borrowing a tool” — perhaps there could be a quick line buttoning everything up at the end. Maybe something almost comedic, like: “And, uh, mind if I use your washer, too?” (Referring to his blood-soaked clothes.) Also, any chance there could be some foreshadowing earlier on? I like Dylan’s dialogue; however, instead of asking if there had been a fight last night, perhaps he could experience a brief flashback revealing that there in fact was one. It could all come flooding back to him. This is just some food for thought — excellent work on this story!
So, (disclaimer) I’ve never received an offer of representation, but I’ve done a lot of a LOT of querying over the last three years, and shockingly, I’m still alive and at it. So, I thought I’d share a trick or two on how to stay positive and make the process as painless as possible
Please keep in mind this is just my personal querying philosophy which may or may not work for you. As always, take what’s helpful and leave the rest!
1. USE Querytracker
I use the free version to filter for agents seeking my genre/age group. For example, I’m in the middle of querying a YA sci-fi. So I searched for agents interested in young adult and science fiction, and only queried the ones interested in both. (But not before reading their bio and manuscript wishlist first… and everyone else’s in their agency to make sure I was querying the right one.) Honestly, after three young adult books, if an agent has even thought about repping YA, I’ve probably read their bio. 😂
Since I use the free version of querytracker, I also make a giant spreadsheet to keep track of agent name, agency, and query date, to make sure I don’t double query anyone or any agencies.
2. keep your query files updated and ready
Specifically, I have a folder with these files: query, synopsis, first three chapters, first 10 pages, first 20 pages, first 50 pages, and first chapter. Also, I save any other questions they ask me in case another agent asks the same thing.
This is what I have so far for my current querying manuscript: pitch, audience, similar titles, why I’m the right person to write this book, movie/show comp titles, a line about my MC, who would play my MC, the theme song for my book, and the inspiration for my book.
Pessimist?
3. Keep Expectations low. always.
Okay, so, maybe I’m a pessimist, but this one is important to me, because I have gotten quite a few full requests now on multiple novels, and… none of them panned out. Some of them even came back with positive feedback (but still a rejection), and there are also quite a few that I never got a response on at all! And I am painfully aware that even if I get an agent one day, my book still may not sell.
Keeping my expectations low is how I keep myself from getting crushed with every rejection, and maybe one day I’ll be shocked out of my socks with an offer of rep. But… right now, I treat query letters like lottery tickets, and keep on keepin’ on.
4. Know what comes after
So there are really three parts to this.
A. Have at least a rough idea of how long you will query for.
Because you could non-figuratively query one work for your whole life: query one agent, wait 3 months and CNR (closed: no response), revise, and then query the next agent. And that’s totally okay! Just have a strategy going in.
B. Know what comes after.
Will you heavily revise and re-query down the road? Will you shelve the work and query something else? Will you self-publish?
Knowing what comes next helps reduce the fear of rejection. It helps to remind us that rejection is not the end, but merely the next step of the journey.
C. Work on something else while you wait!
This is pretty common advice, but SO true. If I find myself excited to wrap up querying on book ABC so that I can query book DEF (because I’ve grown as a writer, this book is my best yet, and it’s TOTALLY the one!) then this strategy has succeeded (again.)
Make a friend along the way
Because there are a lot of us querying writers out there (Just check out #amquerying on Twitter), and nothing quite takes the sting off rejection like commiserating with a friend. So, find your Sam, Frodo, go throw that query into Mt Doom… and then, you know, maybe one day, Sauron will offer to represent you.
🤔
Wait a minute, I think this analogy went wrong somewhere… 😂
Anyways, keep laughing & try to enjoy the journey. Because there will always be another Mt Doom to climb (or something 😂.)
Actual me after three years and four novels in the query trenches… and still working on the next one (which is totally going to be THE ONE. 😉)
Thanks for reading! And if you have any other querying tips you’d like to add, feel free to comment below!
I picked this audiobook up from the library, and I have to say, it was not what I was expecting. The premise is fairly simple: an aging mega superstar (Evelyn Hugo) with seven late ex-husbands calls up a journalist a little out of the blue in order to write her biography in the time she has left.
So, it’s essentially a story within a story, as the journalist manages her own career and deals with impending divorce, while trying to puzzle out why Evelyn Hugo chose her, and also learning from the powerful woman.
Evelyn Hugo, in turn, spills the secrets of her life. She does not flinch away from her flaws and is unapologetic as she details her choices. She is a woman that did what was necessary to get what she wanted and succeeded.
This book is about the nuances of passion, friendship, and relationships. It’s about the choices we make, regret, and how we value ourselves.
Once again, Reid’s writing pulled me in, making me nearly forget this was fiction. And in that vein, I want to be very clear that this is NOT a romance, and happily-ever-after’s are hard to find here. It is a story that once again seems to fit somewhere between drama and literary and will leave you with a bittersweet aftertaste.
I don’t know if I’d watch the movie, but if you’re looking for an engrossing, complex story, then this is definitely worth the read.
⭐⭐⭐⭐3⁄4
Now, enough of the heavy reads. For the love of god, someone recommend a fun romcom.
Okay, you got me. I was totally prepared for a twist, but I still didn’t guess it! Love it when that happens. Still, this book leaves a strange aftertaste. The premise follows a couple with a strained relationship that’s won a free vacation in a creepy, restored chapel in the Scottish highlands and are using the getaway to try to put their relationship back together before it ends in divorce.
Meanwhile, we get their history through a series of letters written on every anniversary. We also get the POV of a third player at work here, who has unknown intentions for the couple.
It is really hard to review this one without giving anything away, but suffice to say, all the characters have secrets, and at the end, I’m pretty sure I don’t like any of them. 😂 Still, I enjoyed the ride, and would recommend to anyone looking for a fast-paced suspense. However, I will say, if you already know the twist, I don’t think it would be nearly as fun.
Okay, I’ll admit, this book baffles me. I loved A Gentleman in Moscow, so I picked up this audiobook from the library. From the outset, Emmett has just been released after serving time in a juvenile work farm, and he and his young brother, Billy plan to follow their mother’s route on the Lincoln’s Highway to California for a new start. (spoiler: although many words are dedicated to this plan throughout the book, it never happens, which feels really… unsatisfying to me.)
Then two of Emmett’s friends (Duchess & Wooley) show up with a wild-haired plan to go (essentially) steal some money. And I think your enjoyment of this book will somewhat depend on how much you want to strangle Duchess from the moment you set eyes on him.
The book is told from many perspectives, and while their journey/adventure is interesting, I feel like there were so many plot threads that were left unresolved (especially Sally’s. Like what?!), and ultimately the ending left me strangely unsatisfied, and just kind of… baffled.
Beautiful writing, interesting characters, a winding journey, and some strangeness. A lot of people loved this book, so it might be for you, but not really for me.
⭐⭐⭐⭐
Here’s a little bird on my mother’s hat to lighten thing’s up amidst this heavy streak.
I remember really enjoying All the Light We Cannot See, so when I saw this audiobook at the library I was curious to see what this was all about it. Although I haven’t read it, this book did remind me greatly of the movie, Cloud Atlas. It essentially follows a story’s journey and the people who love it and try to save/preserve it, from the 1500s Constantinople to an interstellar ship in the nearish future.
This is another one in which 90% of the book is rather depressing until you reach the hopeful payoff in the end, and you wonder if it was all worth it. Each of the characters live intensely rough lives, and they look to the ancient story, Cloud Cuckoo Land, as a symbol of hope and escape that they cherish and must work hard to pass on to future generations. The idea is sweet, but I found this book to be another difficult read from an emotional standpoint. The payoff at the end though was excellent, and honestly I found the author’s historical inspirations to be super interesting.
Some of you will no doubt adore this book, and while it was a bit heavy for me, I’m glad I took the journey.
Hayley Reese Chow 