For Writers: Why was my manuscript rejected?

So I became a WriteHive mentor because I wanted to pay forward all the wisdom and experience the writing community had gifted me over the years. And since I’ve done quite a lot of beta reading, critique swaps with partners, and also worked with quite a few editors over the years, I felt pretty comfortable that I’d be able to help someone improve their manuscript.

But what I totally wasn’t expecting was everything I learned during the manuscript selection process. I hadn’t considered that this was the first time I was on the other side of an acceptance/rejection decision. And what it brought it really home for me was that authors had actually requested me as a mentor in their queries!🤯I was so completely flattered and blown away.

In this article, I’m going to break down how I narrowed the submissions to select my mentee, the materials I looked at, and the questions I asked myself along the way. I found this a very enlightening process and thought it might be helpful for others going through the querying or submission trenches. However, please keep in mind, everyone has their own methods for selecting manuscripts for both representation, mentoring, and publication. This was simply the process and realizations I had during mine.

Here’s a quick breakdown of how many submissions came in for 17 mentors:

140 submissions (a 52% increase over 2024 – yay!)

Age demographic submission breakdown:

  • MG: 12 (8.6%)
  • YA: 39 (27.9%)
  • NA: 15 (10.7%)
  • Adult: 74 (52.8%)

Publishing path submission breakdown:

  • Unsure about Publishing Path: 21 (15%)
  • Self Publishing: 14 (10%)
  • Indie / Small Press: 20 (14.3%)
  • Traditional: 85 (60.7%)

And genre breakdown:

  • Fantasy: 51 (36.4%)
  • Romance: 23 (16.4%)
  • Romantasy: 23 (16.4%)
  • Contemporary/Literary/Nonfiction: 17 (12.2%)
  • Horror/Suspense/Mystery: 16 (11.4%)
  • Sci-Fi: 10 (7.2%)

Each submission included their bio, the state of their manuscript (where was it in the writing process), pitch, their query letter, a synopsis, and their full manuscript. But how to narrow it down? I really wanted to make sure I picked the mentee who I could help most. A manuscript I could really fall in love with, but also one that I could help in a concrete way.

The first cut

So, even though I had outlined my general preferences in my MSWL (manuscript wishlist), I read the pitch, query, and first page of all 140 submissions, with one question in mind:

Does the premise grab me?

Based on that question alone (which, by the way, had *nothing* to do with the talent of the author or the quality of writing and everything to do with personal preference), I was able to cut my list down from 140 to 26.

That, in itself, blew me away. After all, I’ve received many rejections, and of course, every time, I assumed it was because I wasn’t a good enough author. My writing wasn’t good enough. The story wasn’t good enough.

But here I was, cutting 81% of the submissions with no regard to quality at all. Honestly, I probably could’ve done it based on the pitch alone.

Interesting.

So with that cut, my list was down to:
3/12 Middle Grade: 25%
9/39 Young Adult: 23%
2/15 New Adult: 13%
12/74 Adult: 16%
Total Longlist: 26/140

The Second cut

For there, I reviewed the bio, the state of the manuscript, their synopsis, and their query again. From these materials, the mentees included information on if they’d started querying it, which paths – traditional, small press, or self-publishing – they’d consider pursuing, and what they were looking for in a mentorship.

On my second cut, I was asking myself: Is this a mentee I can help? Am I the type of mentor they’re looking for?

Once again, I was not considering the quality of the story or writing at all. I was simply trying to ascertain at this point if we could be a good match based on my strengths and the kind of mentor they were looking for.

In the second cut I went from a longlist of 26 to a longlist of 12.

2/12 MG: 17%
3/39 YA: 8%
1/15 NA: 7%
6/74 Adult: 8%
Total Trimmed Longlist: 12

So at this point, I had cut 91% of the submission without considering quality of writing or story.

The third cut

The third is where I finally read the entirety of the first chapter and then asked myself: Am I drawn to keep reading? This is the first question I’d asked that could have been attributed to writing quality.

The third cut took me from a longlist of 12 to a short list of 7: 2 Young Adult Manuscripts and 5 Adult Manuscripts. From there, I read further into the manuscripts, and once again, this time, looking for the manuscript that I thought would be most suited to my tastes. In the end, I chose the story I had extremely concrete recommendations for, one which was very much suited to my personal taste, and had an author who was searching for knowledge areas I had. And just as an aside, only one of my top 3 choices showed up on another mentor’s top 3. For the most part, all of our top 3 choices were radically different.

So what’s the point?

When it came to publishing, I’d often heard the phrase “right eyes, right time.” Meaning essentially, that there are tons of quality stories out there, but you need to find the right agent/editor that’s the best fit to champion yours at the right time in the market. Which… comes down to a lot of factors outside of your control.

But once again, every time I faced a rejection, it was so easy to take it as a sign that I wasn’t good enough to be an author. Or the story wasn’t good enough to be published. But the truth is, writing, as an artform, is so personal. No one book is for everyone – and that fact is as true before publishing as after it.

So, if you submitted to the WriteHive mentorship, please don’t be discouraged in any way if you weren’t selected as a mentee. It really has no reflection on your ability as a writer or a storyteller, but rather simply, if your story was a good match for the mentors reading submissions this year.

And as I continue to trudge on in the submission trenches, I’m trying to keep the very same lesson in mind. That my stories need to find the right eyes at the right time. Whether that’s next week or next year or in three years really isn’t up to me. All I can do is be patient and keep writing the best stories that I can.

Hopefully, if you’re in the query or submission trenches, this has been helpful in some way and can also help you to find the mindset and perseverence you need on your writing journey.

Rejections are tough. There’s no two ways about it. Just remember to take care of yourself, take lots of breaks, and keep on keeping on.
Begin. Grow. Persevere.

Thanks for reading!

Giving back to the writing community

So, this year marks a new chapter for me as an author. Though still battling imposter syndrome (as I think most authors do to some extent), I’m making a conscious effort to give back to the writing community this year.

As such, I’m officially a judge for the WriteHive Indie Ink Awards! As a judge, I’ll be reading six books in the next six months, scoring them in a rubric and rating them in the categories they were nominated. Out of the nominees, I’ve actually already selected the six I intend to read and downloaded my first read. Best Audio Narration & Best Light Read are the two categories I’m feeling in this season of life, so that’s where I’ll be hanging out.

But personally, I’m a big fan of book awards as a way to distinguish and lift up authors (indie authors especially) and I’m so excited to be a part of it.

But that’s not all!

This year, I’m also a 2025 WriteHive Mentor! This is an extra special opportunity for me since I was actually a 2023 WriteHive Mentee with EJ Dawson as my mentor, and I learned so much! I was so excited to pay it forward, and even more excited to pick Erin Scheuer as my mentee. I absolutely fell in love with her rock star/celebrity romance Love Songs and Other Lies, (which reads JUST like a K-drama, you all—squeee!!!), and we clicked instantly on our first call.

She’s entering into the revision phase, and I’m so excited to see her take her manuscript to the next level. Everyone is absolutely going to love her sweet, complicated characters, and I’m so excited for the world to meet them! Check out the mock cover and moodboard I put together for her!

It was also super interesting to be on the other side of the submission/rejection process, and I learned quite a lot. (Separate post coming on that soon!)

All in all, this has been such a positive experience so far, and I’m so glad I was able to take the leap to jump into these opportunities! I’ll be posting the books I review for Indie Ink awards here just like any other book, but when the results come out I’ll definitely post an update on the winners! And of course, if anything exciting happens with Erin’s Love Songs & Other Lies, I’ll be sure to post about that too, because I’m pulling hard for it!

Thanks so much for reading!

Character Artist Recommendations for Authors

Okay, so this is the post I needed in my life as a budding author in 2019. I have always loved art since I was a kid, and now, as an author, I adore seeing books brought to life through character art, and use character art heavily when promoting my books. But when I first started out, I had no idea who to message about character art.

Over the years, as I admired other authors’ commissioned pieces, got recommendations from authors, and commissioned different artists myself, I began to gather quite a few art pieces of my books that I adored as well as a list of artists I enjoyed working with. I’m always on the look out for new artists and fresh styles, because I love to see how different people with different perspectives can bring to life characters in different ways.

And yes, I only work with human artists and likewise, human authors. In case you haven’t seen my thoughts on generative AI, you can find them in the graphic below.

So in part, this is an artist appreciation post for the artists who I’ve worked with over the years, and it’s also a resource for those other authors out there looking for (human) artists to commission. Without further ado, the guide is below! All handles are from Instagram unless otherwise noted.

For writers: The ups & downs of being on submission

Look it’s me in the query… I mean submission trenches! 😂

So, the first rule of being on sub is that we don’t talk about sub. But, instead of talking about the specifics of my sub journey, I’m really just going to talk about the general vibes of being on submission. Because it’s definitely come with some surprises for me. Please keep in mind this is my own personal take based on my experience, which may or may not align with anyone else’s.

The good

  • Your agent believes in you and your story! This is huge!
  • The doors to the big publishers are open and your agent is championing your story! This is also huge!
  • You no longer have to spend valuable writing time sending out queries
  • So… you get more writing time! Huzzah!

The less good!

  • The stakes are higher. Think of it as climbing higher up a mountain and having farther to fall. (Because now your agent is also depending on your books to sell. And, if they don’t… well you might end up back in the query trenches.)
  • There’s more hope, and so also more disappointment. If you’re going to ride this roller coaster, mental toughness is a must.
  • Submission response times are longer than query response times (in my experience.) So be prepared to settle in and get comfortable

My Advice

Pessimist?

This is going to sound a lot like the querying advice article I wrote a couple years ago, and mostly these reminders are for me.

  • Try to keep your expectations low. Because even though I have an agent, my book still might not sell. And why you might call me a pessimist, it’s how I keep myself from getting crushed with those near misses. In the querying phase, I treated query letters like lottery tickets, and I need to treat submissions in the same way.
  • Have a rough idea of what you would do if you lost your agent. Would you self-publish your manuscripts or query a fresh book with your backlist in tow? I honestly have no idea what I would do, and I think that’s part of my current mindset problem.
  • Work on something else while you wait! This is common advice, but for good reason. Time goes a lot faster when you’re excited for a new manuscript. And this part, at least, I’ve got down. In the span of fourteen months, I actually sent my agent six manuscripts… which leads me to the next piece.
  • Find other ways to grow and learn as a writer. For me, in 2024, this looked like diving into craft books and signing up to be a mentor in the WriteHive Mentorship Program. But in 2025, I’ll be looking for different opportunities to explore. Conferences? In-person events? Marketing classes? I’m definitely open to ideas and recommendations
  • Trust the process (and your agent) and stick with it.

so what’s the bottom line

Being on sub can be difficult, just like querying can be difficult. But just because it’s difficult doesn’t mean it’s not worth doing. Try to enjoy the journey, even through the ups and downs, and the stories will find their way out into the world one way or another.

Cheers to the tenacity of being on sub and whatever comes next. Good luck out there!

NYC Midnight Challenge – 100 words – Second Round – A Revolutionary Lie

A Revolutionary Lie

June 2024 (Second Round)
Genre: Historical Fiction
Action: Stumbling
Word: Tour
Time Constraint: 24 hours
Length: 100 words

The wound may not be mortal, but it’s still the end of me.

Blood seeps from my shoulder as Holbrook stumbles to my side, the redcoat’s body cooling in the autumn leaves.

“How bad?” Holbrook rasps.

“I…”

But it’s too late; Holbrook’s already ripped open my coat and shirt. For a moment, he only stares, my lie exposed with the curved contour of my bound chest—Robert Shirtliff poised to die at the hands of his dearest friend.

“’Tis a small wound.” Swallowing, Holbrook pulls his spare shirt from his knapsack. “No one need know.”

And I am saved twice.


This one came in first (🎉) in its group, and the feedback is below!

WHAT THE JUDGES LIKED ABOUT YOUR STORY

2076}  I was impressed by the sense of the personal in this piece, the way you allow the historical context to be so in the background and this life-or-death personal catastrophe to come out so strongly in an emotional climax. I thought the last line was beautiful, with real literary flair.

{1666}  Excellent work here! Your narrative arc was full-bodied and complete, which speaks to your imaginative force and economy as a writer. The double-entendre of your opening line was really clever, and I appreciated your speculative additions to the known facts of this fascinating figure’s tale.

{2376}  This story has a strong sense of mystery with an excellent payoff. You do a great job of hooking the reader in with an opening line that presents the reader with an irresistible riddle. And the way that riddle is answered put the reader in the same position as Holbrook—with the truth slowly dawning us. And the final turn the story takes leaves the reader with a satisfying conclusion, having Holbrook make the same decision that we would make in his position.   

WHAT THE JUDGES FEEL NEEDS WORK

{2076}  What might be worth developing in this piece is your description. Can you rephrase it from our narrator’s perspective, drawing closer to their sensory experience in a more specific way? Think about when the blood is seeping from the wound; does it hurt, is the blood warm, is it numb? What does the redcoat’s body look like? What’s the setting like, what does Holbrook’s face look like? This will all immersive the reader more strongly in the moment at hand.

{1666}  While it’s clear enough to me that “Shirtliff poised to die” is a figurative statement, there are enough swirling elements and tension for this to be misinterpreted. The reader may be wondering if the narrator is referring to the existing wound, being killed by Holbrook, or facing some sort of death penalty after being exposed as a woman. Some alteration here might help protect the interpretation. Additionally, take a look at reworking sentence 2 – the clause “the redcoat’s body cooling in the autumn leaves” doesn’t refer or link to any other active image in the sentence, so the sparse phrasing feels affected just for the sake of sparing words.

{2376}  There’s a lot already going right in this story, but there are a few small things to consider in a revision. One would be reframing the line about the redcoat’s body. The way that this phrase is attached to the image of Holbrook stumbling to her side creates a little confusion in this draft. Spliced on, the reader is expecting this clause to modify some part of the sentence we’ve already read. Instead, if Holbrook “stumbles over the body of a redcoat cooling in the autumn leaves” we get the image of the dead man without the confusion. Another thing to consider would be taking out the line about Robert Shirtlff dating at the hand of his friend. This line tells us what the story is showing us about the closeness of these two people. It also interrupts the moment of tension in which or POV character is left wondering what’s going to happen. Instead, you could sustain this tension by having Holbrook pull out his spare shirt before he speaks, leaving the reader unsure of what he thinks until the last possible moment.


Thanks for reading! You can find the rest of my NYC Midnight Challenge entries and feedback here.

NYC Midnight Challenge – 100 words – First Round – The Tearstains Left Behind

the tearstains left behind

April 2024 (First Round)
Genre: Drama
Action: Throwing a Tantrum
Word: Deal
Time Constraint: 24 hours
Length: 100 words

I can only stare as the front door slams and Chloe runs after her mother. Already screaming, Chloe pounds the wood with chubby three-year-old fists until she melts into a hysterical puddle on the floor. I want to tell her it’ll be okay; her mother will come back. My daughter will come back.

But those lies won’t change the hand we’ve been dealt.

Instead, I sit beside her, my tears adding to the splotches Chloe’s already made on the linoleum. “I’m here.”

It’s all I can offer, but when her dimpled hand squeezes my wrinkled one, I know it’s enough.


This one came in first (🎉) in its group, and the feedback is below!

WHAT THE JUDGES LIKED ABOUT YOUR STORY

{2370}  You did a great job at portraying the scene, providing great imagery and details (chubby fists, tears on the linoleum), and provoking intense emotions in your reader. You only had a few words to work with, and you did a really great job.

{2314}  There’s great subtlety at work here. Obviously Chloe’s responses are dialed up. In contrast, our narrator is subdued, a person who perhaps has dealt with grief before a few times in their life. It works well.

{2369}  This story is heartbreaking. That poor baby. And poor grandparent. The emotions of this piece are spot on and well done. Every word does work and is needed. A vivid story that is well told.  

WHAT THE JUDGES FEEL NEEDS WORK

{2370}  One minor suggestion is that I don’t think you need to say “three-year-old fists.” I think you could change that to toddler or just say chubby fists. We can infer her age thanks to other descriptions you include and through Chloe’s behavior.

{2314}  I found myself feeling this story is good – when it has the potential to be great. I think it’s in the details. You’ve given us a broad scenario – family dealing with grief. Refracted through an older person, dealing with a younger person. I found myself wanting some other x factor – either in style, or characterization, to elevate the premise. 

{2369}  There’s not much of anything I would suggest for improvement. This story is easy to understand but has enough depth for the reader to feel something. My only thought is that 3 seems a bit young for Chloe to understand and be able to do anything other than cry and throw a fit for her mama. You don’t say she does understand, but somehow it still feels that she does. The image of a dimpled hand squeezing a wrinkled one is so beautiful that I hesitate to ask you to change it, so maybe consider making Chloe just a touch older?


Thanks for reading! You can find the rest of my NYC Midnight Challenge entries and feedback here.